The main observance about Yusof Ghani’s Wajah Series, done roughly between 2006 and 2010, is the absence of eyes in the phalanx of faces, heavily textured with different colours, profile or frontal. The eyeless device is to confer anonymity and as a concealment, for eyes are purportedly windows to the soul. But the way it is rendered borders on the caricatures, meaning that it is not something complimentary like a benign or smiling face. Notice that the faces are segmented into two strata, with the top showing a boss-like detachment, while the bottom half is riddled by sourpuss faces to the point of insolence. Unlike his other series, Yusof Ghani introduced his Wajah Series abroad, in Canada, as Wajah: Faces Of Life, at the Richmond Art and Cultural Center, Vancouver in 2009. As the artwork title suggests, this piece depicts the emotions of people who have sympathy and empathy towards the sufferings happening in Gaza.