This Siri Tari was first shown as part of six panels in an exhibition at the National Art Gallery Malaysia. It is arguably one of three in the open market — a corporation owns the other three. The camouflaged forms of figures are set in interlocking conundrum with ambiguities in depth. Starting in 1985, the Siri Tari saw impact in the Yusof Ghani’s solo exhibition at Galeri Citra, Kuala Lumpur, in 1989. It staggers the mind that Yusof Ghani was at a late 31 when he had formal studies in art, for his BFA at the George Mason University in the United States in 1981, and then MFA at the Catholic University in Washington, USA (1983). Previously, he had worked in art-related job for 10 years! When he returned, he lectured at the Mara Institute of Technology. After crashing into the art scene with his Tari series, he followed up with Topeng, Wayang, Hijau, Segerak, Biring, Wajah and Ombak. Henry Butcher Art Auctioneers with partners Galeri Prima and Pinkguy Gallery organised Segerak VIII: Utopia, the final edition of Segerak series, in August 2019. The exhibition received good responses.