Contemplation I exudes a surreal atmosphere which features a cavalcade of faces employed to manifest various themes. The painting can be read as the artist’s response to social issues concerning humanity and spirituality. Carefully modelled on a highly textured surface, the faces are a symbolic representation of human society and reflect the nature of daily experiences. Visual depth is created through strong contrasts of dark and light tones as the faces are seen emerging from the background, enhanced by an illuminating glow. After being involved in art-related jobs for 10 years despite not having any formal education, Yusof Ghani fulfilled his destiny when he was given a scholarship to study first for his BFA at the George Mason University in the United States (1981), and MFA at the Catholic University in Washington, USA (1983). On his return, he lectured at the Universiti ITM with the rank of Associate Professor. Protest, Tari, Topeng, Wayang, Hijau, Segerak, Biring, Wajah, Ombak and Kuda – the series defined his art and made a huge impact.