Yong Mun Sen Retrospective 1999, Penang State Art Gallery, illustrated on exhibition catalogue, page 34
Description
Beauty Queen , an extremely rare oil painting by pioneer artist Yong Mun Sen depicts a native girl rendered with luminous dark skin, and soulful doe eyes, gazing into the distance. Her body is draped in a luxurious ornate sarong, and is portrayed holding a delicate pink hibiscus flower. The open summer skies behind her give depth and the presence of floating clouds adds movement and grace to the picture. The sky is imbued with the warm glow of the sun, which illuminates the skin of the subject.
After witnessing a Japanese artist painting in his family’s coconut and pepper plantation, Yong Mun Sen (born Yong Yen Lang) became inspired to become a painter. He changed his name to Yong Mun Sen in 1922, two years after settling in Penang. He had established a photography studio named Tai Woon / Wei Guan Art Studio in 1922 and renamed it Mun Sen studio in 1930 which then became a favourite meeting place for fellow artist-friends namely Tay Hooi Keat, Kuo Ju Ping, Khaw Sia, Lee Cheng Yong, Abdullah Ariff and other pioneering Malaysian artists. He co-founded the Penang Chinese Art Club in 1935 and was elected vice president. He initiated the formation of Singapore Chinese Art Club the same year. Posthumous memorial exhibitions were honoured to him in Singapore (1966), Galeri 11, Kuala Lumpur (1966), the National Art Gallery, Kuala Lumpur (1972) and the Penang State Art Gallery (PSAG, 1972). Dubbed ‘The Father of Malaysian Art’ by many, Yong Mun Sen has left behind a remnant of history for the present and future art enthusiasts to remember him by. The great Xu Bei-hong (1895 - 1953) described Mun Sen as “the most outstanding figure in Malaysian art and one of the few top artists in the tropics.”