Yong Mun Sen’s iconic depictions celebrated the enigmatic Malayan landscape. Focusing on the play of value contrasts on a group of sunlit trees, Mun Sen conveys a calm and placid scene of a traditional fishing settlement, accompanied with sampan boats in the foreground. The rural landscapes and its distinct beauty capture the sensations of a warm tropical climate. The legendary Yong Mun Sen is one of the earliest watercolorists, but one with profound influence and high visibility. He was referred to as the Father of Malaysian Painting by dealer-gallerist-artist-writer-publisher Dato’ Dr. Tan Chee Khuan in several of his books on pioneer artists. Born Yong Yen Lang, Mun Sen (the name he adopted in 1922) returned to China briefly (1914) before picking up art on his return to his hometown Sarawak. He had stints in Singapore before settling in Penang (1922), where he set up a photography studio cum gallery. He co-founded the Penang Chinese Art Club and the Singapore Society of Chinese Artists. He was accorded posthumous memorials by Singapore (1966), the National Art Gallery (Kuala Lumpur) and the Penang State Art Gallery (PSAG) in 1972, and the PSAG followed it up with a retrospective in 1999.