Khalil Ibrahim’s portrait ‘sitters’ are not always real people, for he likes to paint figuratives of imaginary or even composite personalities, mostly female. This 1970s portrait of a gorgeous lady is interesting, for it looks as if there is something more about the lady than meets the eye. She has a very classic look that enhance the aura of innocence, or a kind of carefree spirit from within. His works have been collected by the National Museum in Singapore, Fukuoka Museum of Art in Japan, New South Wales Museum of Art in Sydney, Royal National Art Gallery of Jordan, National Art Gallery Malaysia, and Bank Negara Malaysia Museum & Art Gallery.