Golden time is redolent with blissful contentment and happiness, even when working whether in the padi-fields, rubber estate or cow-herding. Life was simpler then with minimal needs. The family unit was stronger and the natural undeveloped environs fostered a healthier lifestyle and a closer-knit communal spirit, with pastimes like kite-flying and bird-rearing which were later replaced by modern distractions like television and computers. Water came from the streams or wells, and paraffin lamps helped ease mobility at night. It is such a rapturously happy life that one could expect the women balancing buckets of tapped latex to break out into a song and dance. There is a touch of humour in the painting of these industrious womenfolk, ‘photobombed’ by a stray monitor lizard on the bottom left. Typically nostalgic. Tew Nai Tong reached the pinnacle of his career in the Odyssey survey exhibition at the National Art Gallery, Kuala Lumpur, in 2007, celebrating 50 years of painting. He held his first solo at the British Council, Kuala Lumpur, in 1964. Trained in the Ecole Nationale Superieure des Beaux-Arts (1967-1968) after a stint at the Nanyang Academy of Fine Arts in Singapore, he won 2nd Prize in the Chartered Bank Mural Design Competition (1964), Shell Award (watercolours, 1981), Esso Award (1982), Dunlop Award (watercolours, 1983), and the Asia Art Award (Malaysian level) in Seoul, South Korea in 2009. He decided to become a full time artist in 1992, after teaching in three art institutions for a total 23 years. He co-founded the now defunct Le Beaux Art Gallery and jointly established the Malaysian Watercolour Society and the Contemporary Malaysian Watercolour Association.