Chang Fee Ming's Window series comprises "luxuriant and colourful fabrics hung or draped on windows and verandahs" (Wong Hoy Cheong). The rustic and the cultural can be seen from the bolsters, bed linen and sarong put out to dry exuding interesting batik patterns often derived from Nature. The Window series includes works such as Monsoon Has Gone I, II and III; Togetherness I and II; Summer Lady I and II; Honeymoon Season; Pillow; Memory; Morning In Terengganu; and Pagi Sore Sarong. Singapore curator Seng Yu Jin viewed Fee Ming's Window series as a portal transforming "between the private and the public that seduces the viewer to enter the usually private and interior space of a home." Some of the works were spread over two notable solo exhibitions, Second Chapter at GaleriWan in May 1990, and Selaut Kasih, SePantai Sayang exhibition at Bank Negara Malaysia Museum and Art Gallery in March-July 2016. The painting also reveals traditional kampung-house architecture of wooden walls or thatched woven partitions with the living quarters upraised on sturdy stilt poles. One of Asia's most prominent dedicated watercolourists, Chang Fee Ming achieved international acclaim with his outstanding awards such as the Major Asean Prize and Gold Award in the Sime Darby Art Asia Competition in 1985 and the Winsor & Newton World Millennium Painting Competition, Malaysian Category 1999. He also won the Dom Perignon Portrait of a Perfectionist Award (Malaysia, 1999) and double awards of distinction in the Rockport Publishers USA competition (1997). Other national-level awards included the Minor Awards in the Malaysian youths Bakat Muda Sejaman in 1986 and 1987, the PNB 1st Prize in 1985, and the Malaysian Watercolour Society Awards in 1984 and 1985. He is best known for his Mekong painting odyssey encompassing seven countries over a seven-year period.