This early piece illustrates repetitive mosaics of two silhouette figures rendered in the manner of Pop art and silkscreen technique resembling Andy Warhol's much-famed Car Crash silkscreen works. The monochromatic colour palette conveys timelessness, elegance and mystery. This work was perhaps completed during her transition phase upon graduating from the etching school L'Atelier 63 prior to returning home. Chong Siew Ying's bold figures have opened new vistas into the art, psychology and physiology of painting the body. Her works where Chinese philosophy and ink and brush starkness are infused, were showcased in a solo titled Crying With Trees (2014). Her figures were transformed after studying at the L'Ecole des Beaux-Arts, Versailles (1991-1994) and then the L'Atelier 63 (1994-1996). Upon her return from Paris, she was selected for Rimbun Dahan artists' residency from 1999 to 2000, which was followed by another at the Vermont Studio Centre in the United States of America in 2001. In 2002, she clinched a Special Award in the Young Contemporary Artists competition and she was a finalist for the Sovereign Asian Art Prize in 2005. Her solo exhibitions included Idylle: New Paintings by Chong Siew Ying (2008), Many Splendoured Things (2006), Going Away, Coming Home (2002) and Chong Siew Ying: Selected Works 1996-1997 in Kuala Lumpur, 1998. In Paris, she has held solo exhibitions at the Maison Tch'A, Atelier D.Maravel and Gallery Café Panique. Her works are collected by the National Art Gallery Malaysia as well as respected private collections in Malaysia, Singapore, France and the USA. She now lives and works as a full time artist in Malaysia. Her works were exhibited in two group exhibitions at Art Stage Singapore 2015 titled Being Human: Figuratism Of 16 Malaysian Artists and Stepping Out.