This scene shows the development and arrangement of curved shapes of the human body. The artist’s attempt to represent movement is visible, portraying the lady on the left with outstretched arms, with the entire community working together to share and collect water from the main source. Harris started being a street artist and started learning painting at the Angkatan Pelukis SeMalaysia (APS) base. He worked as a paste-up artist in a publishing house. He then joined a Bahasa Malaysia daily as a graphic artist, then art director, and was even a reporter and a sub- editor. At one time, he had a pondok base at the artist’s colony in Conlay, under the Malaysian Handicraft Centre, Kuala Lumpur. His wife, Fauziah Ismail, also paints, but of exaggeratedly thin women.